DEGREE Modulation able to be synchronized to clock or gate via D-Gate input 6 octaves of continuous 1V/ Octave pitch control CENTROID, FLUX and H-LOCK animate each Algorithm uniquely
#SOUNDHACK TELHARMONIC MOD#
Noise, Harmonic and Phase Mod Algorithms available simultaneously at their respective outputs This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. The tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesizer. The tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer module named for the music hall considered by some to be the location of the first electronic music concerts. It weighed 200 tons and occupied an entire floor on 39th Street and Broadway in New York City.
It is said to be the first additive synthesizer. Telharmonic Hall housed the massive Telharmonium, an early electronic musical instrument designed in 1897 by Thaddeus Cahill. The TELHARMONIC is named for the music hall where some of the earliest electronic music was heard. Make Noise - Telharmonic - 3 voice additive synthesis module Used with a filter and further modulation sources, it between Jamaica and the gas planets. The Make Noise - Telharmonic brings a new vision how you thought of polyphony, chords, simultaneity in electronic music! Don't forget to look for extra functions behind the standard outputs and interfaces.
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